Category Archives: Books

Correct Your Nose!

Project Gutenberg has posted the February 1930 issue of Astounding Stories of Super-Science. The best things in it are the ads.

CORRECT your NOSE!

CORRECT Your NOSE!

Thousands have used the Anita Nose Adjuster to improve their appearance. Shapes flesh and cartilage of the nose—safely, painlessly, while you sleep. Results are lasting. Doctors approve it. Money back guarantee. Gold Medal
winner. Write for 30-Day TRIAL OFFER and FREE BOOKLET.

ANITA INSTITUTE, 242 Anita Building, Newark, N.J.

“Anybody notice Carl today?”

“Why? What’s up?”

“The flesh and cartilage of his nose look like he’s been wrapping his head in linguine.”


“Pardon me, gentlemen!”

Business men gargle daily to check colds and sore throat

Why is Listerine to be found in the offices of a majority of American business men? Why do they use it at the noon hour? Why do they sometimes halt important meetings, to gargle with it?

A damn good question, actually.


Stop that Pain

By Relieving the Cause with
Violet Ray—Vibration
Ozone—Medical Electricity
The Four Greatest Curative Powers Generated by This

Great New Invention!

Elco Health Generators at last are ready for you! If you want more health—greater power to enjoy the pleasures and delights about you, or if more beauty is your desire—write! Ask for the book on these inventions which has just been prepared. It will be sent to you without cost. It tells you how Elco Health Generators aid you in leaving the lethargy and hopelessness of bad health and weakness behind forever. Re-vitalize yourself. Bring back energy. Be wholly alive. Write today!…

These great new inventions generate Violet Ray, Vibration, Electricity and Ozone—combined or separate. They operate on the electric light in your home or on their own motive power at less than 50 cents per year. Elco Health Generators are positively the only instruments which can give you in one outfit Electricity, Violet Ray—Vibration and Ozone—the four greatest curative agents. Send the coupon below. Get the Free Book NOW!

Or you could just hang around Frankenstein’s lab for a while, and get the four greatest curative agents plus zombies!


The man frowned as his stomach turned gray.

10 Inches Off
Waistline In
35 Days

“I reduced from 48 inches to 38 inches in 35 days,” says R. E. Johnson, of Akron, O., “just by wearing a Director Belt. Stomach now firm, doesn’t sag and I feel fine.”

The Director Belt gets at the cause of fat and quickly removes it by its gentle, kneading, massaging action on the abdomen, which causes the fat to be dissolved and absorbed. Thousands have proved it and doctors recommend it as the natural way to reduce. Stop drugs, exercises and dieting. Try this easy way.

Our nations’s epidemic of obesity apparently came about because Americans failed to gently knead and massage their abdomens.

Despite the testimonial, the guy in the picture looks very unhappy about his Director Belt. What, exactly, is it directing? Has it ordered him to commit some crime?

It was the belt that made him do it! The damned belt!

The Secret History

Emperor Justinian

Procopius was a respected historian back in his day. Upright. Sober. The go-to guy if you wanted to know what was up with Emperor Justinian.

So everybody was kind of surprised when, a few centuries later, somebody dug up The Secret History. Procopius hated Justinian. Hated him. Hated hated hated hated hated him. Not as much as he hated Empress Theodora, but still a lot. It wasn’t that Justinian was stupid. It wasn’t that he was corrupt. He managed to be stupid and successfully corrupt at the same time: “never of his own accord speaking the truth to those with whom he conversed, but having a deceitful and crafty intent behind every word and action, and at the same time exposing himself, an easy prey, to those who wished to deceive him.”

The Secret History was where Procopius vented the bile he couldn’t pack into his official histories without getting executed. He starts out… what do they call it these days? “Shrill?” As the pages go by he gets shriller and shriller until he reads like a steam whistle. Look at the chapter titles from the Penguin edition—I think they were added by the translator, but they give you the flavor. They start with “Belisarius and Antonina,” and progress to “Justinian’s Misgovernment,” and then “The Destruction Wrought by a Demon-Emperor,” and by “Everyone and Everything Sacrificed to the Emperor’s Greed” Procopius’s face is bright red and he’s muttering to himself and steam is jetting out of his ears and you’re sort of afraid he’ll pull out a couple of pistols and shoot up the room like Yosemite Sam. (Then you remember he’s been dead for over fourteen centuries. We’re safe!)

Continue reading The Secret History

The Littlest Presidential Biography

Project Gutenberg has an RSS feed of new and updated titles. I check it sometimes; you never know what’s going to turn up. The best title I’ve seen recently is Lives of the Presidents Told in Words of One Syllable, by Jean S. Remy. “Wow,” I thought. “This is the kind of historical reference you could give a Fox News commentator!”

I thought Jean had given herself (himself? Was s/he French?) quite a challenge—like writing a novel without the letter E. I mean, “president” itself has three syllables. So does “Washington.” “Lincoln” has two. Maybe Jean was just very informal. She would call Washington “Wash,” and Lincoln “Link,” and the President would be “The Prez.” Just like drinking buddies. (I dunno how things were in 1900, but that’s what people look for in a President these days, right?)

But the actual book looks like this:

At this act Eng-land was up and in arms, and sent o-ver great ships and ma-ny men to help fight the French. The first step that Eng-land took was to send men to warn the French a-way from the Eng-lish forts in Penn-syl-va-ni-a; and Wash-ing-ton, who knew bet-ter than a-ny one else the rough wild woods, and who was a friend of the In-di-ans, led a lit-tle band of sev-en men through the dense, dark woods and o-ver riv-ers filled with float-ing ice, up to the French lines. He told the chief man of the French troops just what the Eng-lish said, but this French man would not give up one inch of ground that he had won from the In-di-ans, and gave Wash-ing-ton a note to take back with him, in which he said as much.

Jean didn’t use words of one syllable—she stuck hyphens in polysyllabic words and redefined them as multiple single-syllable words. Man, that’s cheating.

Bonus Fun Fact!

On the whole, Jack-son’s term was a good one for the land; and so well did the peo-ple like him, that he is the on-ly pres-i-dent of whom it has been said that he was bet-ter liked when he went out of of-fice than when he went in.

I am not totally sure this is a compliment.

A Couple of Torchwood Books

Recently a couple of Torchwood books were recommended to me on the Jade Pagoda mailing list. I’ve now read Slow Decay, and decided to review it. I’m going to begin by talking about Another Life. I read Another Life, and tried to read Border Princes, not long after they came out. This is why I’ve only now read Slow Decay.

Torchwood is strange. It has moments of genuinely good drama, sometimes, but for the most part it’s fun for reasons the producers did not intend and will never fully understand. At heart it’s a series about dumb, horny college kids who somehow got the keys to the most powerful paranormal investigations agency in Wales… basically a Battlestar Galactica-style dark reimagining of Scooby-Doo, Where Are You?, except instead of a talking Great Dane it has Ianto.

Continue reading A Couple of Torchwood Books

“You got your Gervase Fen in my Albert Campion!”

I recently read Swan Song by Edmund Crispin, one of his Gervase Fen mysteries. At one point a journalist asks Fen for an interview. She’s doing a series on famous detectives: “I’m hoping to do H.M., and Mrs. Bradley, and Albert Campion, and all sorts of famous people.”

I didn’t immediately recognize the first two names, but Albert Campion is Margery Allingham’s series detective, who in 1947, when Swan Song was published, was still appearing in new books. Google revealed that “H.M.” was John Dickson Carr’s Sir Henry Merrivale (which I should have known), and Mrs. Bradley starred in a nearly forgotten (but intriguing-sounding) series by a third author.

This was interesting. I’ve seen writers make use of public-domain characters, and I’ve seen covert in-joke references to their colleagues’ work. (For example, as I recall at least one of Randall Garrett’s Lord Darcy stories had characters obviously based on Nero Wolfe and Archie Goodwin.) I haven’t often seen a writer explicitly and unilaterally connect his own fictional universe with one created by another contemporary writer. In fact, I can think of hardly any. Two things come to mind: a Star Trek tie-in (Ishmael, by Barbara Hambly) which is apparently a crossover with an old TV show I’ve never seen, and a recent post on The Valve about a 19th century hack who tried to latch onto Charles Dickens’s coattail by taking his melodramatic trunk novel, slipping in a couple of cameos by Dickens’s Paul Dombey, and calling it Dombey and Daughter. (This kind of thing must have happened more often in the days of loosely-observed copyrights; it’s possible I’ve heard of, and forgotten, similar incidents from the period. Not that it’s a great example in any case; it’s a cynical appropriation by a hack. The line from the Crispin novel was friendlier, and came from an equal.)

If anyone comes across this post and knows of other examples, let me know in the comments.

Doctor Who Reviews: Shadowmind

You know what’s interesting about Shadowmind? It turns out I’d never read it before. I skipped it when it came out due to a limited teenage book-buying budget and mediocre reviews. Much later I decided I wanted an obsessive-compulsively complete New Adventures collection, picked up a copy at a used bookstore… and immediately forgot about it.

You can’t blame me. By that time I was all too familiar with Christopher Bulis. Among Doctor Who fans the Bulis name is synonymous with “meh.” As I’ve mentioned before, Bulis’s trademark move is to take a really amazing, ass-kicking central concept and surgically remove the fun. I’ll bet his novels sound wonderful in outline–Space marines meet Dungeons and Dragons! A steampunk expedition to the moon! I imagine Bulis working far into the night on his outline. Sweating over it until it gleams. With sweat. Finally he holds the precious document to the light. It’s perfect. “This is the most brilliant idea I’ve had so far!” exclaims Bulis. “Now… how can I make it suck?”

Continue reading Doctor Who Reviews: Shadowmind

New Adventures Reviews: White Darkness

Zombies are hip. They’re in our movies and comics and major investment firms. You can’t walk more than a few blocks without stumbling across some shambling horde of loosely anatomical types desperate for brains. Zombies, it seems, are the new ninjas. So the cover of White Darkness—on which a smiling Doctor, intrigued Ace, and off-model Benny greet their happy zombie friend—might look ahead of the curve. Not exactly. White Darkness gets into the kind of stuff that started the pre-pop-culture zombie legends. David McIntee “set out with the intention of giving Haiti and voudon society a fairer representation than is usual in fiction.” White Darkness is a straight-up historical adventure novel, with no pretentions to anything more, but it’s coming from a slightly smarter place than the books, films, and flash mobs covered in fake latex sores.

White Darkness innovated in setting the story somewhere other than goddamn London again. A lot of Doctor Who stories take place in and around London. I mean, a lot. There was a reason for this, once. The TV series had tight budget constraints and, hey, the Home Counties were right there. It’s slightly less understandable in the new series, which by the same logic should spend more time in Cardiff. When the novels and Short Trips collections head back to London again it’s plain baffling. It costs no more to set a novel in Africa, or India, or even on some entirely imaginary alien planet, than in Croyden. Apparently these stories suffer from imaginitive constraints… which may also explain those alien-world EDAs that could have been set in London. Conversely, many London-based stories could have taken place in any city and even at any time… but the TARDIS automatically, unthinkingly seeks out contemporary London again. (Preferably a neighborhood with some nice middle-class white people.) It’s like the default state of Doctor Who.

David McIntee did more than any other nineties author to claw the TARDIS from the death grip of southern England. Of his dozen Doctor Who novels only one is set in the London area, and that was a Pertwee-era UNIT story. Ironically, the author who in one book dropped in a lame joke about “political correctness”—which sounded completely bonkers coming out of the Doctor’s mouth, being normally used only by old-fashioned types who resent being asked to show some manners—did so much to diversify the series. When he wasn’t taking the TARDIS to strange new worlds, he set it down in 19th-century China. Or medieval France. Or imperial Russia. Or contemporary Hong Kong. Or, in this case, Haiti.

Continue reading New Adventures Reviews: White Darkness

Bailing Out Dombey

I’ve been thinking lately about the last Dickens book I read—Dombey and Son. The news brought it to mind.

Dombey is the head honcho of Dombey and Son. He thinks this makes him a Great Man, and just to make damn sure he’s out to suppress all threats to his Greatness. This can get time consuming. See, all you actually have to do to threaten Dombey’s Greatness is contradict him. So Dombey spends half the 900 page epic picking up sycophants so oily you could run a Hummer off their bodily secretions, and the other half methodically alienating anybody who cares enough about him to tell him the truth.

The truth is: Dombey is a moron.

That name, “Dombey and Son?” Our Dombey’s the son. He’s like the third or fourth generation of son. He didn’t build the business. His dad didn’t build the business. Everything he has, he inherited from somebody else who also inherited it. Dombey and Son started without him and continues through inertia while he warms the chair in the big office. And he has no idea how to run it. He has no idea, for example, that sycophant numero uno Carker has for years been using shady accounting to siphon off gobs of funds. And when Carker runs off with the cash, Dombey has no idea it might be time to do something differently. He has no idea he could do anything differently. He’s Dombey, dude! The top of the heap is Dombey’s natural place. That’s how the world rolls. So he coasts placidly along as he always has, and bankrupts the firm.

This is where the news comes in. And as our fearless leaders discuss handing a $700 billion blank check of taxpayer money over to the guys who created this interesting situation, I can’t help but remember what happened to Dombey.

He, himself, personally, went bankrupt.

This was not an oddity in Dickens’s time. It was standard operating procedure. Business owners in 19th century England were personally liable for business debts. (It was a better deal than ordinary debtors got. They ended up in prison. See Little Dorrit.) But Dombey’s attitude is striking:

‘The extent of Mr Dombey’s resources [says Mr. Morfin, one of his middle managers] is not accurately within my knowledge; but though they are doubtless very large, his obligations are enormous. He is a gentleman of high honour and integrity. Any man in his position could, and many a man in his position would, have saved himself, by making terms which would have very slightly, almost insensibly, increased the losses of those who had had dealings with him, and left him a remnant to live upon. But he is resolved on payment to the last farthing of his means. His own words are, that they will clear, or nearly clear, the House, and that no one can lose much. Ah, Miss Harriet, it would do us no harm to remember oftener than we do, that vices are sometimes only virtues carried to excess! His pride shows well in this.’

The vices of our current class of economic honchos are probably not virtues carried to excess.

I don’t mind bailing out the little guys. If this $700 billion were going to rescue struggling people who got suckered into crazy mortgages, I’d consider it money well spent. But before we hand our tax money over to these companies? I’d like to see their CEOs and boards of directors sell off a few private planes and summer homes. Then we’ll talk.

New Adventures Reviews: Lucifer Rising

In their first couple of years the New Adventures covered surrealism, cyberpunk, high fantasy, space opera, a Quatermass pastiche, and even a right-wing religious authoritarian mystical horror novel (The Pit, which arguably took Doctor Who into places it should never have gone). Lucifer Rising was the NAs’ first Big Dumb Object novel.

Big Dumb Objects are one of your standard SF tropes—what Rudy Rucker calls “power chords,” the ideas that are to SF what the hooks are to a pop song. BDOs are the coolest gadgets in science fiction—both artifacts and environments. Rendezvous With Rama’s vast wandering starship is the canonical example. (And one of the blander ones, to my mind”¦ although it’s been years since I read it and if I went back I might have a different experience.) My favorite is Stanislaw Lem’s Solaris (from Solaris, natch). It might be stretching a point to class a living planet as a BDO, but Solaris does the same thing: injects Sense of Wonder straight into the novel’s jugular and gives the characters something mind-blowing to explore and react against.

Continue reading New Adventures Reviews: Lucifer Rising